Children in ballet: practice, auditions & careers

Ballet was transformed into the elegant dance it is today from dances originally performed by European country peasants. In the 15th century, Italian princes performed poetry, music, singing and dancing in their courts. They developed a dance form, and the special steps for the ballet. During the 17th century professional ballet dancers began to appear. King Louis XIV of France, a dancer himself, established France as the center of the ballet world and french became the language of ballet to this day. Yes, men were the original dancers of stage ballet, and women had to earn their right to dance publicly.

It is important that the child who wants to pursue ballet as a career begin their intensive study early on in their childhood. Training as a professional dancer needs to start by the 11 or 12 for girls and about 14 for boys. An early start helps develop the flexibility and strength in the muscles and bones of the dancer.

There are two options to studying ballet. One ballet option will be to study at a school that has a local qualified ballet teacher teaching ballet exclusively to youngsters. The other option would be to audition for a full-time ballet school where ballet and academic classes are offered in one place. Most pupils will live at the school, eating, sleeping going to academic classes as well as learning dance, music, drama and choreography lessons.

In the Beginners class, dancers learn technique, basic movements at the barre, jumps and traveling steps. An advanced class will work on the same excercises and finish with pointe work for the girls, and jump practice for the boys. Classes are slow and careful focusing on perfecting simple steps. The training will gradually progress to more complicated movements and combinations of steps. The dancers learn how to use their bodies correctly , so that they avoid injuring themselves later on more difficult movement. A dancer will move to pointe work when her feet, ankles and back are strong enough to support her weight correctly.

Occasionally, the school will put on perfomances, recitals, for the parents and public. Here is where the dancer demonstrates what skills she has learned and learns to develop an awareness of where others are on the stage. Stage performances are essential for motivation, incentive to practice hard and helps you get used to performing in front of an audience. If the school is large enough they will also perform an annual Nutcracker at the end of the year.

Auditions are usually required for class advancement, for Summer School Abroad and entrance into a Ballet Academy. This is a dance test in front of examiners who look for youngsters with talent, correct physique, sensitivity to music and physical control. The examiners look dancers who have the potential to develop into a level of excellence. Audition applicants also have a physical examination to check their joints, shape of their foot (for pointe work) and straight legs that turn-out properly.

The ultimate ambition for the dancer is to gain a position performing for a professional company. In order to be chosen and obtain a contract as a professional dancer new dancers must have excellent technique, physique and stage presence. Wages, good working conditions, additional classes, costumes and shoes and tights are all provided. Some ballet companies tour and the dancer will need to be away from home for long periods of time. Most performing careers are short, rarely lasting beyond the mid-thirties. Injuries are also common and one can miss a year or two of performances. It is important to get experience and work qualifications in other areas that will enable the dancer to continue in the ballet field.

Other careers a ballet dancer may want to pursue when their ballet route has been exhausted, can include dancing for musicals, as a Choreographer, or a Dance Notator (Reads and writes scores of repertory) may also take on the role of Ballet Director/Mistress who coordinates and schedules school performances. The more obvious role an ex-dancer will take on is of a Ballet Teacher. Here he or she will help the next generation of dancers learn the Classical technique and the love of dancing. Training usually takes three years, but many dance colleges will provide a one-year course to dancers who have danced professionally.

Ballet takes many years of training for the young dancer. But with dedication and determination, and the love of the classical ballet, one can pursue a career in ballet in one of the various exciting areas.

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How to write a novel and get it published

Is there a book inside of you that you've always wanted to write? Before you start typing "Chapter 1," the following tips will get you off to the best start and increase your chances of selling the finished product to a publisher.

WHY DO YOU WANT TO WRITE?

Writing is perceived by most people as a very glamorous and profitable career. Many of them, in fact, believe that it's a fairly easy way to get rich quick. The reality is that writing is hard work and that it often takes years to establish your reputation, much less be able to pay the bills with your royalty checks. If you want to write a book, you need to have the discipline to stick with it, the thick skin to handle rejection, and the belief that you really have something interesting to say.

WRITE WHAT YOU KNOW

In the years I have taught workshops, it never ceases to amaze me how many people want to write medical thrillers, detective stories, or tales of international intrigue and yet know absolutely nothing about their proposed subject matter. Even a work of fiction needs to stand up to the scrutiny of discerning readers and experts who know these subjects well. Unless you're crafting fantasy or science fiction and are inventing the requisite parameters in which the characters will function, you will need to perform copious amounts of research to ensure accuracy. Always remember that readers hate to be lied to. All it takes is for them to find one error (i.e., "Columbus discovered America in 1493") and they will assume you lied about everything else as well.

READ THE COMPETITION

Is there a market for your book? To know if there is, you need to be a voracious reader of similarly themed books and keep watch on the weekly best seller lists. You also need to perform topic searches on sites such as Amazon.com and get a sense of how many books like yours are already in print. In the event that there are only 3 books out there on your exact subject and 2 of them are already out of print, that doesn't necessarily mean the world is ready for yours. It could mean that the reading public just doesn't find that topic compelling enough to sustain sales.

RESEARCH THE PUBLISHERS

Request submission guidelines from those publishers who produce the kind of books you want to write. You wouldn't, for instance, send a romance novel to a publisher that only produces techno-thrillers. Speaking of genres, your chances of breaking in as a newcomer are higher if you are writing category fiction rather than mainstream. Your chances are also good if you are a recognized expert on a non-fiction subject; i.e., you're a chef/restaurant owner penning your first cookbook. Submission guidelines can be found on the Internet as well as in annual reference books such as "Writers Market" and trade magazines related to writing. Follow these guidelines to the letter; never assume that an editor will make an exception just because your mom said your novel was brilliant. Nor should you ever send a copy of your entire book unless it has been requested.

WORK FROM AN OUTLINE

Once you know what your novel is about, construct an outline and identify key scenes that occur from beginning to end. To ensure that you are equitably parsing out the action, determine how many pages you want the finished product to be. Let's say that you decide it will be 300 pages. That means that the first 100 pages are the beginning, the next 100 constitute the middle, and you have the last 100 to resolve things. Keep in mind that if a work of fiction is to be successful, it needs to have a strong conflict, escalating complications, and a satisfying and believable conclusion. Manuscripts should be double-spaced, numbered, and in a 12 point, easy to read font such as Courier, Times New Roman or Bookman. Ink should be black and paper should be white 20# bond.

WRITING IS A REAL JOB

There are lots of writers who have yet to start their novels because they are waiting for a big chunk of free time. This is not realistic. If you're going to write a book, you need to get up an hour earlier, go to bed an hour later, carry a notebook or recorder with you at all times, and tell your family not to interrupt you during whatever blocks of time you have carved out for yourself. Think of it this way: if you only typed 1 page a day of your book for a full year, you would have a 365 page novel at the year's end. Treat your writing as a professional job and it will yield the results you desire.

BACK UP YOUR FILES

Never store your entire novel on your hard-drive alone. The current proliferation of computer viruses could erase your 75,000 word labor of love within seconds! Make copies of your work on a CD of floppy. Some authors even go for the added security of making two copies and storing the second one at a different location in the event of fire, flood, theft, etc.

RECRUIT SOME READERS

Once you tell people you are writing a book, their participation in the process as readers can be a great motivator to stick with your writing schedule. Not only can they provide valuable feedback but also assist in catching typos that your computer spell-check may have missed. If you feel self-conscious about friends and family reading your story, join a local writer’s critique group.

DO YOU WANT AN AGENT?

Many of the major publishing houses will not read unsolicited submissions. Instead they focus their attention on manuscripts that have come to them through agents. An agent does all of the legwork for you in identifying the best market for your novel and executing a contract for advances and royalties. Agents can be found via the Internet or in "Writers Market."

BE PROFESSIONAL

Always enclose a self-addressed, stamped envelope in all communications with editors and agents. If you want your manuscript returned, enclose sufficient postage for that as well. Always send fresh copies of your work rather than those which have been widely circulated. Do not call editors on the phone every day to ask them if they have read your book yet.

LEARN FROM REJECTION

Writing is a subjective craft. What 1 person hates, the next 9 people could be thrilled about. If everyone who reads it has exactly the same criticisms, however, you need to take these remarks seriously and go back into the project with revisions. Keep in mind that the process of writing your first book will teach you everything you need to know to make your next book even better.

HANG IN THERE

The writers who ultimately become successful and recognized are often the ones who simply outlasted the competition. If you really enjoy writing and would, in fact, continue to write even if you never made a dime from it, you are already head and shoulders above all of the author wannabes who wistfully keep saying, "Maybe someday..."

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